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Box Office Breakdown: Friday the 13th Slashes the Holiday Competition

Friday the 13th

Twelve turned out to be a lucky number for good old #13.

Blood-thirsty audiences helped push into the record books this holiday weekend. (There’s no better way to spend a Valentine’s Day than scared in your honey’s arms.) The franchise’s twelfth installment scared up $43.6 million over the last four days to become the top horror opener of all time. Friday also had the second best showing ever for a President’s Day weekend debut. (Ghost Rider pulled in $52 million in 2007.)

The horror film wasn’t the only newsmaker this February. , this week’s sixth-place finisher, added on another $13.8 million to officially break the $100 million mark. (The comedy currently stands at $112.3 million.) That’s the first time a January opener has ever done that.

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Read More | Variety

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Box Office Breakdown: He’s Just Not That Into You Debuts on Top

He's Just Not That Into You

Brad Pitt and Angelina Jolie may have returned home with more losses this weekend, but Jennifer Aniston was a big winner.

For the third time in a row, the Friends star found herself in a familiar position. Although it is technically an ensemble piece, became the 39-year-old’s latest chart topper. (The Break-Up and Marley & Me also debuted at #1.) The adaptation’s $28 million gross helped push another romantic comedy offering, New in Town, completely out of the Top Ten. (The Renee Zellweger film had only been there for one week.)

Click to continue reading Box Office Breakdown: He’s Just Not That Into You Debuts on Top

Read More | Variety

Box Office Breakdown: Audiences are Taken with Liam Neeson

Maggie Grace in Taken

While it would seem logical to find a female-oriented movie on top after Super Bowl Sunday, an action thriller proved there was more than enough testosterone to go around. , starring Oscar-nominee Liam Neeson, took in $24.7 million making it the second best opener ever during the same football period. (Last year’s Hannah Montana concert film grossed $31.1 million.)

Meanwhile, a romantic comedy starring an actual Oscar winner, failed to do what counterprogramming options are meant to do: score a touchdown. , starring Renee Zellweger and Harry Connick Jr., earned $6.7 million and a disappointing 8th place. (Apparently Academy Awards don’t guarantee future success.) The romantic comedy raked in about 1/2 as much as Zellweger’s Leatherheads did…and that’s saying a lot.

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Read More | Variety

Box Office Breakdown: New Life for Oscar Contenders

Slumdog Millionaire

Nominations? doesn’t need any stinkin’ nominations…

Although the 78-year-old was recently overlooked by the Academy, the actor/director still got some respect from the paying public. This past weekend, landed softly into third place and, most importantly, topped the actual Best Picture contenders.

But that’s not to say a nomination is pointless. Last week’s #10, Slumdog Millionaire, jumped 5 positions this week after nabbing 10 nods on Thursday. (It also bested Torino’s per screen average.) Meanwhile, The Curious Case of Benjamin Button - thanks to 13 nominations - found itself reentering the Top Ten.

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Read More | Variety

Box Office Breakdown: Mall Cop Rolls Over Clint Eastwood

Kevin James in Mall Cop

Mall Cop? Mall Cop?

As strange as it may sound, Kevin James just took down Clint Eastwood, Notorious B.I.G. and a serial killer to become the current box office champ. ‘s $40 million take was the second biggest ever for a January opener. (Cloverfield took in $46.1 million at this same time last year.) The comedy was also partially responsible for giving the industry its largest MLK weekend of all time.

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Read More | Yahoo! Box Office

Kevin James: His Time to Shine?


The success of Paul Blart: Mall Cop over the weekend proves two things quite solidly: one, , all by himself, can bring people out to the theaters and; two, I just can’t predict what moviegoers will watch. I have to admit, when I saw the promos for this one I was pretty much rolling my eyes - but in my defense I only saw the short version.

I shouldn’t have been surprised. After all, James always has been hilarious. The portly comedian first came to widespread public attention when he became TV’s , a sitcom which celebrated a nine-year run on network. By any measure, that’s great success.

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Read More | E! Online

In Theaters This Weekend: January 16, 2009

Hotel for Dogs

Here are some possible suggestions for your upcoming weekend:

FilmCrunch 067: Hairspray, Chuck & Larry, Premonition reviewed

In this episode of FilmCrunch, Veronica Santiago and Neil Estep review Hairspray, along with the DVD release of Premonition. Neil also hits us with a 60 second review of I Now Pronounce You Chuck and Larry. All that, plus your typical dose of hilarity, in this episode.

Now we want to hear from you - hit the forums and let us know what you think, what you want us to watch next, and any other recommendations you have for the show.


Box Office Breakdown:  It’s Super To Be Bad

Superbad

The Judd Apatow train is bound to hit a roadblock at some point—but for the time being, it’s full steam ahead.  Superbad opened impressively with over $30 million this weekend making it the third Apatow-related project in a row to accomplish this feat (the others being Talledega Nights and Knocked Up).  This is, of course, not taking into consideration the uber-sleeper hit The 40-Year-Old Virgin.

Meanwhile, there was nothing super about Nicole Kidman’s latest outing.  The Invasion, the latest version The Body Snatchers, scared up a dismal $5.9 million (and that’s despite Daniel Craig’s hunky presence).  But I predict a much stronger outing for these two later this year with The Golden Compass.

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Box Office Breakdown:  Audiences Not Yet Tuckered Out

Rush Hour 3

Spider-Man 3, Shrek the Third, Pirates, Ocean’s, Bourne and now Rush Hour 3.  All six three-quels premiered directly at the top of the heap this summer.

Unfortunately, a six-year gap between the second and third Rush installments may have led to what some would consider slightly disappointing receipts.  On any other occasion, a $50 weekend would be something to brag about.  But considering it pales to the $67.4 million brought in by the 2001 predecessor, it’s only worth a pat on the back.

But really, the Disappointment of the Week honor should really fall on Cuba Gooding Jr.  When you’re accepting rejected scripts from the man who played Norbit, you have to wonder where it all went wrong (two words: Chill Factor).  Sadly, Daddy Day Camp was originally slated to be a straight-to-video release but somehow tested well enough to be released in theaters.  Who knows?  Maybe Gooding can pull a Halle and go straight-from-Oscar-to-Razzie.

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